ERWIN PANOFSKY STUDIES IN ICONOLOGY PDF

Faced with the problem of reissuing a book nearly forgotten and entirely out of print, an author finds himself torn between conflicting impulses: either to rewrite the whole thing from beginning to end or not to touch it at all. Prevented by age and circumstances from adopting the first of these alternatives, yet too much afraid of the Last Judgment to acquiesce in the second, this writer has decided for a compromise. Apart from correcting some palpable errors and misprints, I have left the text unaltered even where it ought to be revised or at least reformulated; but I have tried to encourage the disbelief of the reader by listing a number of books and articles which either appeared after the publication of Studies in Iconology or in two cases were regrettably overlooked at the time; and by adding, exigente opportunitate, a few brief comments of my own. In this way I have both salved my conscience and given, I hope, some help to those who may wish to pursue the subject further. It is true that 'subject' must not be confused with 'story-telling' and that 'pure' landscape, still-life and genre paintings did exist in the sixteenth century and achieved tremendous popularity in the seventeenth ; but it is equally true that even apparently subjectless productions may convey more than 'meets the eye,' as has been demonstrated, for example, by the recent studies. An unknown error has occurred.

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Faced with the problem of reissuing a book nearly forgotten and entirely out of print, an author finds himself torn between conflicting impulses: either to rewrite the whole thing from beginning to end or not to touch it at all. Prevented by age and circumstances from adopting the first of these alternatives, yet too much afraid of the Last Judgment to acquiesce in the second, this writer has decided for a compromise.

Apart from correcting some palpable errors and misprints, I have left the text unaltered even where it ought to be revised or at least reformulated; but I have tried to encourage the disbelief of the reader by listing a number of books and articles which either appeared after the publication of Studies in Iconology or in two cases were regrettably overlooked at the time; and by adding, exigente opportunitate, a few brief comments of my own.

In this way I have both salved my conscience and given, I hope, some help to those who may wish to pursue the subject further. It is true that 'subject' must not be confused with 'story-telling' and that 'pure' landscape, still-life and genre paintings did exist in the sixteenth century and achieved tremendous popularity in the seventeenth ; but it is equally true that even apparently subjectless productions may convey more than 'meets the eye,' as has been demonstrated, for example, by the recent studies.

An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while. No cover image. Read preview. Excerpt Faced with the problem of reissuing a book nearly forgotten and entirely out of print, an author finds himself torn between conflicting impulses: either to rewrite the whole thing from beginning to end or not to touch it at all.

Read preview Overview. Robichaud University of Pennsylvania Press, The Catholic Historical Review, Vol. Margaret L. King Ed. Free Inquiry, Vol. Renaissance art and architecture The Columbia Encyclopedia, 6th ed.

Renaissance The Columbia Encyclopedia, 6th ed. We use cookies to deliver a better user experience and to show you ads based on your interests. By using our website, you agree to the use of cookies as described in our Privacy Policy.

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Erwin Panofsky

Parents, teachers, and students: Visit our new K Student Library. Last edited by Clean Up Bot. February 14, History. By Erwin Panofsky. Go to the editions section to read or download ebooks. Studies in iconology Erwin Panofsky.

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Studies In Iconology : Humanistic Themes In The Art Of The Renaissance

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