Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Fra Giovanni da Fiesole d [Return to top of page]. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.
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Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Fra Giovanni da Fiesole d [Return to top of page].
Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Don't show me this message again. Ave verum corpus composer. View whole album. Fra Giovanni da Fiesole d Other recordings available for download. From the fanfare-like opening of Exultate Deo and its soul-mates by Viadana, Gabrieli, Byrd and Monteverdi, through the linear beauties of Ave verum corpus as set by Byrd and Philips and Parsons' Ave Maria , the imploring devotion of Lotti's incomparable Crucifixus and the serenity of Tallis's O nata lux , all is brought glowingly alive.
Today no composition by Byrd is performed and recorded more often than this one, partly because it is such a gem, partly because it offers such rich opportunities for expressive singing, and partly because it is technically not hard for choirs to sing.
Ave verum corpus at Evensong: again, Byrd would have been amazed. Jahrhundert wieder in ihr Repertoire aufnahmen. Laudibus , Michael Brewer conductor. The programme is deftly chosen and Laudib Jesus College Choir continues its much-praised series of recordings with a new album of works by Britten and Byrd.
The Cambridge Singers , John Rutter conductor. Winchester Cathedral Choir , David Hill conductor. Eighteen of William Byrd's most perfect motets illuminate a journey through the Church's year in the company of perhaps the world's most famous choir. The Tallis Scholars , Peter Phillips conductor.
Filmed performances of sacred music by William Byrd together with a documentary on the troubled times that produced some of the most intimate and passionate sacred music ever written. His music for the Anglican Church has been sung without interruption since the 16th century.
In stark contrast his Catholic music was not heard for over years. This specially pr Westminster Cathedral Choir , Martin Baker conductor. Westminster Cathedral Choir is enjoying a vintage period, and here we hear its trademark sound in al Drawn from three key periods: the Reformation, the Restoration and the Anglican revival, here are 23 motets and anthems, sung in the beautiful acoustic of the Lady Chapel of Ely Cathedral. Infusing the hallowed spaces of Canterbury Cathedral with their singing for the first time in , the Girls here join the Men of the Cathedral Choir in a sequence of anthems from Tallis and Byrd to Howells and Leighton.
Armonico Consort , Christopher Monks conductor. Crossing several centuries, from the sixteenth to the present day this album displays how every generation has been inspired to use both sacred and secular music as a powerful medium to express their personal emotions. The first of three volumes featuring The Tallis Scholars' finest recordings, one for each decade, and each offering over five hours of the award-winning performances that helped establish Renaissance Polyphony as one of the great repertoires of we It would make an ideal gift for any lover of the tradition' Cathedral Music 'Bargain of the month' Naked Byrd, Vol.
Sacred Music in the Renaissance, Vol.
Ave verum corpus (Byrd, William)
Ave verum Corpus
It dates from the 14th century and has been attributed to Pope Innocent VI. During the Middle Ages it was sung at the elevation of the sacramental bread during the consecration. It was also used frequently during Benediction of the Blessed Sacrament. The poem is a meditation on the Catholic belief in Jesus 's real presence in the sacrament of the Eucharist, and ties it to the Catholic conception of the redemptive meaning of suffering in the life of all believers. Miserere mei.
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