AHMED MOURAD VERTIGO PDF

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The author, who works as a photographer and runs his own studio, uses his scene-observing ability to create a new style of narration unfamiliar to the Arabic reader. In Vertigo , when a young photographer witnesses the death of his best friend in an altercation between two business moguls, he gradually becomes aware of the drastic changes surrounding him in the country. Both abandon the typical superhero as a central figure, instead relying on a political and social angle that adds a compelling layer of depth to the story.

His attention to detail and the well-narrated background help set the right atmosphere for the story. His cinematic eye also helps in providing a well-structured action sequence. Although the author manages to keep the events in the book as gripping as the previous one, the book suffers from a serious case of typecasting when it comes to the main characters. Mourad, who is celebrating the seventh publication of his debut novel and the success of his follow-up, welcomed Al-Masry Al-Youm to his studio for a conversation about his work.

His ability to retain images in his mind allows him to merge these scenes. His camera, always present with him, captures these small details, which create a series of sub-plots that he might add to his novel. On how he chooses his characters, Mourad always finds inspiration from his own surroundings. I decided that my main characters should be the same.

Taha, the main character from Torab el-Mas, is first introduced as a bored pharmacist who faces the same problems as any Egyptian man his age. Taha later embarks on adventures and pushes his limits. Torab el-Mas required multiple levels of research, as events in the novel run from the s to the present. Publishing was not a problem for Mourad, especially after the success of Vertigo. Ahmed Ramadan. Egypt to abolish mandatory quarantine for returnees in favor of home quarantine: official 3 days ago.

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Egypt Independent

The author, who works as a photographer and runs his own studio, uses his scene-observing ability to create a new style of narration unfamiliar to the Arabic reader. In Vertigo , when a young photographer witnesses the death of his best friend in an altercation between two business moguls, he gradually becomes aware of the drastic changes surrounding him in the country. Both abandon the typical superhero as a central figure, instead relying on a political and social angle that adds a compelling layer of depth to the story. His attention to detail and the well-narrated background help set the right atmosphere for the story. His cinematic eye also helps in providing a well-structured action sequence. Although the author manages to keep the events in the book as gripping as the previous one, the book suffers from a serious case of typecasting when it comes to the main characters.

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Vertigo: where Cairo's corrupt get their comeuppance

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